Saturday, April 25, 2026
BAA, BAA, BAA...
Saturday, April 11, 2026
Topps Topics: Studies in Uncut Sheet Arrays - 1958 to 1960
Presenting part two of an ongoing series examining the use of short prints and double prints by Topps in their vintage era; part one can be found HERE. Today Mark Pekrul is looking at the 1958 to 1960 press sheets for the annual Topps Baseball sets. Mark, who posts as “deweyinthehall” on Net54 Baseball has dug into these along with a couple of other stalwarts over there and worked to reconstruct most of the print arrays for all Topps Baseball series from roughly 1955 to 1970. This work has essentially been compiled independently of anything I’ve posted previously. Mark maintains a website that covers Topps Baseball sets from 1965 to 1994 in some commendable depth as well, CLICK HERE to be transported.
As a reminder, from 1957 through 1995, all Topps standard-sized (i.e. 2.5 x 3.5 inches) sets (baseball, football, hockey, basketball and non-sports) were printed on sheets containing two large blocks of cards, 11x12 cards each. Creating groups of 132 cards each, in many cases this gave us complete set counts which are very recognizable today – 132, 264, 396, 528, 660 and 792. Some early hockey and football sets, as well as many non-sports sets, had only 66 cards – exactly half of 132.
When we hear the term “uncut sheet” today, we typically think of a roughly 2' x 4' sheet of 132 cards. However, a full standard-sized uncut sheet was twice as large, and included 2 groupings of 132 cards (as above). The margins were white (even for sets with colored borders, such as 1971 or 1962) and contained various notations including positioning and cutting guides and other errata. They eventually even featured commodity codes, just like Topps used for cases, boxes and packs.
Down the middle ran a thick white space called the “gutter” – full sheets were sliced down the gutter before each half-sheet, or ‘slit’, was then fed into a cutter.
Each slit contained 12 rows of 11 cards. For ease of reference, we can label the rows A-L and columns 1-11. Any card position can then be designated as A-1 (far upper left), L-11 (bottom right), and so forth, as shown below.
And away we go…
---
1958 Topps Baseball – 494 Total Cards in Set
Series 1: 1-110, 110 different cards
1958 was the first of many times a set’s first series would
contain 110 cards. To accommodate 10
different rows of 11 cards on a 24 row full sheet, it was necessary for each
row to appear twice and for either one of those rows to appear four additional
times, two to appear two additional times, or four to appear one additional
time.
In later years, for which we have images of 110-card sheets,
we know it was the rule that four rows would appear one additional time
each. While we have no images of 1958’s
series one sheets and reconstructions have yet to be made, we do have several partial sheet
images. This permits us to identify with a high
degree of certainty that two of the four over-printed rows, in which each card
will appear in quantities 50% greater than the other series 1 cards, are
arranged thusly, as per the head card in each:
Don Drysdale (25)
Jim Landis (108)
Don Mossi (35)
Del Ennis (60)
Billy Hoeft (13)
Bobby Richardson (101)
Hank Aaron (30)
Tim Thompson (57)
Duke Snider (88)
Early Wynn (100)
Willie Mays (5)
and
Jim Rivera (11)
Von McDaniel (65)
Giants Team Card (19)
Bob Lemon (2)
Billy Hunter (98)
Al Kaline (70)
Cal Neeman (33)
Billy Pierce (50)
Don Zimmer (77)
Gil McDougald (20)
Morrie Martin (53)
Series 2: 111-198, 87 different cards. What should have been the 88th
card, #145, Ed Bouchee, was never issued due to, um…legal problems he
encountered in January, 1958. Card #115,
Jim Bunning took #145’s place on the series 2 press sheet, in addition to its
own, and was printed in double the quantities of the other series 2 cards.
Series 3: 199-286, 88 different cards
Series 4: 287-374, 88 different cards
Series 5: 375-440, 66 different cards
Series 5 was arranged in the 66-card pattern, and each slit
was identical. Here is an image of slit
B, which also shows column 11 from slit A, with the gutter in between:
Series 6: 441-495, 55 different cards
As it is a 55-card series, one of the five rows had to have
been printed only three times, to the other four rows’ four times each. While we have images of each series 6 row,
they are all disembodied from sheets or slits, and we do not have enough
information to know which row of 11 cards was short-printed.
The series 5 press sheets do contain a curiosity, however.
Here are two rows – anything seem unusual?
Notice how the All Star cards of Stan Musial (476) and Mickey Mantle (487)
appear three times each on the same row.
Musial was a key last minute signing by Topps and we can only surmise that they wanted
to provide kids with a greater chance of obtaining cards of two of the most
popular stars of the day by making each of
these cards available in greater quantities than the other series 6 cards.
While no images exist, we know that for some of its total print run series 6 included only the usual one of each per row, and that the four other spaces were taken up in one row by Carroll Hardy (446) and Preston Ward (450) and in the other by Billy Harrell (443) and Gary Geiger (462). So, these four are seemingly available in lesser quantities than other series 6 cards and possibly in far lesser quantities than the Mantle and Musial All Stars.
1959 Topps Baseball – 572 Total Cards in Set
Series 1: 1-110, 110 different cards
As with all other 110-card series, we know that 44 of these
cards were over-printed by 1/2, but we have no images or reconstructions to
allow us to know which specific cards these were.
Series 2: 111-198, 88 different cards
Series 3: 199-286, 88 different cards
Series 4: 287-374, 88 different cards
Series 5: 375-440, 66 different cards
Series 6: 441-506, 66 different cards
Series 7: 507-572, 66 different cards
Series 2-4 were arranged in the 88-card pattern, and those
in series 5-7 in the 66-card pattern.
1959 was Topps’ largest set yet. They increased from 1958 by nearly 100 cards,
and added a 7th series. Topps
sets would include seven series from here through 1970.
1960 Topps Baseball – 572 Total Cards in Set
Series 1: 1-110, 110 different cards
Series 2: 111-198, 88 different cards
Series 3: 199-286, 88 different cards
Series 4: 287-374, 88 different cards
Series 5: 375-440, 88 different cards
Series 6: 441-506, 66 different cards
Series 7: 507-572, 66 different cards
The 1960 set was constructed in exactly the same manner as
the 1959 set. Again, because we lack
imagery from series 1, we cannot tell with certainty which 44 cards were
over-printed and exist in quantities 50% greater than the other 66.
---
Stay tuned, it get really interesting as we approach the expansion era.
Saturday, March 28, 2026
World Baseball Classics
Well two more "1960" Venezuelan Topps Tattoos have surfaced recently and both are true heavy hitters. I'll go in alphabetical order, kicking off with Hank Aaron, courtesy of Friend o'the Archive Josh Alpert:
Ruben Amaro (Venezuelan only)
Luis Arroyo (Venezuelan only)
Bob Clemente (Venezuelan only)
Rocky Colavito
Don Drysdale
Nellie Fox
Tony Gonzales (Venezuelan only)
Dick Groat
Glen Hobbie
Harmon Killebrew
Juan Marichal (Venezuelan only)
Frank Lary
Vernon Law
Mickey Mantle
Ed Mathews
Juan Pizzaro (Venezuelan only)
Vic Power (Venezuelan only)
Pedro Ramos (Venezuelan only)
Tony Taylor (Venezuelan only)
Zoilo Versalles (Venezuelan only) inferred from a miscut sliver, not confirmed but it's somebody with a "Z" given name
Gene Woodling
Early Wynn
Luis Aparicio (previously surmised as a possible subject)
Chico Fernandez
Felipe Alou
"Clio" (Elio) Chacon
Felix Mantilla
O. "Cepida" the redrawn Baby Bull
Jose Pagan
Chico Cardenas
Saturday, March 14, 2026
Topps Topics: Studies in Uncut Sheet Arrays - Introduction and 1957
The use of short prints and double prints by Topps in their vintage era has always sparked interest from collectors. Today will be the start of a series by Mark Pekrul looking at the 1957 to 1981 press sheets for the annual Topps Baseball sets. These have been studied here, sometimes in deep detail, sometimes not, by examining known uncut sheets, or portions of them, but never in this specific way. Mark, who posts as “deweyinthehall” on Net54 Baseball has dug into these along with a couple of other stalwarts over there and worked to reconstruct most of the print arrays for all Topps Baseball series from roughly 1955 to 1970. This work has essentially been compiled independently of anything I’ve posted previously. Here we go…
----
As I began collecting baseball cards in 1978, it struck me
that while 726 seemed like a nice, sensible amount of cards to be contained in
a single set, 725 might have seemed even more sensible. As the years went by, and I learned that
older sets contained differing numbers of cards, I began to get confused – who
decided on 787? They couldn’t scrape up
another thirteen players and call it 800?
598, 609 – couldn’t they have (more or less) split the difference and
just made it 600?
A short time later, I learned about short-prints and
double-prints. What sort of quality
control did Topps have? How could some
cards be printed in greater or lesser quantities than others? Was anyone fired because of this?
It was only years later that I discovered the reason behind
all this: the press sheets.
From 1957 through 1995, all Topps standard-sized (i.e. 2.5 x
3.5 inches) sets (baseball, football, hockey, basketball and non-sports) were
printed on sheets containing two large blocks of cards, 11x12 cards each. Creating groups of 132 cards each, in many
cases this gave us complete set counts which are very recognizable today – 132,
264, 396, 528, 660 and 792. Some early
hockey and football sets, as well as many non-sports sets, had only 66 cards –
exactly half of 132.
By focusing on Baseball we can explore how the way press sheets were
arranged came to define how many cards were in a set (and even in each series
within a set) and why short- and double-prints became an unfortunate
necessity. This series will focus on the years 1957-1981, using 1981 more or less as an endpoint for
reasons which will be explained. Finally,
we will discuss the efforts of some to recreate how older sheets were arranged
to help answer questions which linger to this day.
When we hear the term “uncut sheet” today, we typically think of a roughly 2' x 4' sheet of 132 cards. However, a full standard-sized uncut sheet was twice as large, and included 2 groupings of 132 cards (as above). The margins were white (even for sets with colored borders, such as 1971 or 1962) and contained various notations including positioning and cutting guides and other errata. They eventually even featured commodity codes, just like Topps used for cases, boxes and packs.
Down the middle ran a thick white space called the “gutter” – full sheets were sliced down the gutter before each half-sheet, or ‘slit’, was then fed into a cutter.
Each slit contained 12 rows of 11 cards. For ease of reference, we can label the rows A-L and columns 1-11. Any card position can then be designated as A-1 (far upper left), L-11 (bottom right), and so forth.
In many cases, we have examples of even very old full- and half-sheets where we can see exactly how cards from any given series or set were arranged. In other cases, no images exist, but careful review of miscuts, where portions of adjoining cards can be seen, can help us reconstruct what the press sheets looked like with close to 100% accuracy.
With very few exceptions, cards in any given row are
fixed. In other words, if one row of a particular set or series contained 11 known cards left to right, those
cards would always appear in those positions on every sheet from which they
were cut. As we will see, the
arrangement of those rows vertically often changed based on the total number of
cards in the set or series. Therefore,
it is possible to find two miscuts of the same card, each featuring a different
card above or beneath.
Even so, for many years, series with both 88 and 66 cards were always
arranged in the same fashion.
88-card series always featured a row pattern ensuring each
card appeared three times across a full sheet (the “88-card pattern”):
Slit A: A, B, C, D, E, F, G, H, A, B, C, D
Slit B: E, F, G, H, A, B, C, D, E, F, G, H
66-card series always featured a row pattern which ensured
each card appeared four times (the “66-card pattern”):
Slit A: A, B, C, D, E, F, A, B, C, D, E, F
Slit B: A, B, C, D, E, F, A, B, C, D, E, F
Now that we’ve discussed the general lay-out of Topps
sheets, let’s take a look at each set to see how it all played out in practice,
why sets had the number of cards they did, and why certain cards wound up in
greater or lesser abundance than others.
NOTE: The “library” of actual sheet and slit images is very spotty until the late 1960s. What follows will occasionally reference “images”, which means we have an actual image, or “reconstructions”, which means we have pieced together what the sheet or slit looked like by examining partial half-sheets, miscut cards and card counts at sites like eBay. An ongoing effort to reconstruct what vintage sheets and slits looked like can be observed here: Net54 Baseball 1955-1970 Topps Virtual Sheets, and help is always welcome.
1957 Topps Baseball – 407 Total Cards in Set
Series 1: 1-88, 88 different cards
Series 2: 89-176, 88 different cards
Series 3: 177-264, 88 different cards
Series 4: 265-352, 88 different cards
Series 5: 353-407, 55 different cards
Why only 88 cards for those first four series? Throughout the years, Topps often kept their
series at less than the maximum 132 cards permitted by their printing
arrangement. With only 16 clubs, 25
cards per team would place the set at 400 cards. They also wanted to ensure
they had enough series “flow” to keep kids coming back and buying new cards all
throughout the year.
Series 1-4 were arranged in the typical 88-card series
fashion outlined above as revealed on these series 2 slit images. The cards in rows A-D and I-L on one slit
appear in rows E-H on the other.
Then there’s series 5, with only 55 cards. As they would until
1972, late and particularly final series always contained fewer cards than
earlier series. Again, it was a
marketing decision. These series would
debut late in the baseball season, when interest was waning as kids turned
their attention to football and other things.
So, a series 5 full sheet in 1957 would run:
Slit A: Rows A, B, C, D, E, A, B, C, D, E, A, B
Slit B: Rows B, C, D, E, A, D, E, A, B, C, D, E
55 different cards creates only 5 different rows. With 24 total rows in a full sheet, this
means one row had to be printed one time less than the others. In series 5, this was row C, which appears 4
times when all the others appear 5 times.
Therefore, the 11 cards in row C appear 1/5 less than the cards in the other
rows, creating a situation where these 11 cards are short-printed.
The series 5 full sheet has been reconstructed, revealing
the following pattern:
According to the work done at Net54, it is a near certainty that the cards which are SPs, row C, are (left to right):
When we continue, Mark will examine the 1958-1960 sheets. In the meantime, he maintains a website that covers Topps Baseball sets from 1965 to 1994 in some commendable depth. CLICK HERE to be transported!
Saturday, February 28, 2026
Simply Splendid
Saturday, February 14, 2026
1952 In View
Friend o'the Archive Pete Putman recently sent along some very cool and interesting things related to the 1952 Topps Baseball set. With Spring Training kicking off for real right about now, what better time to take a look?
This first one is a bit of a question mark actually, although it was attributed to the 1952 set by Jim Fleck, who was Levi Bleam's (707 Sportscards) business partner until he passed away in 2020. This obviously never came to pass but it would have been something had it been manufactured:
It's unlike the plainly covered small albums Topps offered as premiums for their 1948-49 Hocus Focus (aka Magic Photo) and X-Ray Roundup (aka Pixie) cards and certainly not the same beast as their circa 1958-62 larger premium albums. If anyone knows more about this, I'd love to hear from you.
Pete sent along some print oddities as well. Here's Gus Zernial, with no black ink on the back:
Saturday, January 31, 2026
Fours Field
The last time I took a peek at the "1960" Topps Venezuelan Tattoo set, I was marveling at a page from the 1989 Topps Auction at Guernsey's, where a number of potential subjects were included in a lot of original tattoo art, finally noticed by yours truly only 35 years later. Well since then four additional subjects have turned up and expanded the checklist to 25 players. One of the new subjects hails from the Guernsey's sheet and three appear in the U.S. Baseball Tattoo set, including a real barnburner.
Tony Taylor is our new Venezuelan-only subject, once inferred and now confirmed:
Taylor, a Cuban National, brings the number of possible subjects from the Guernsey's artwork that were likely produced down to nine.
Here is a wrecked Glen Hobbie:
Mantle was another subject that was previously theorized to be included due to his widespread fame. It's not in great shape but I'll bet it goes for some crazy money when the auction concludes three weeks hence.
Here's the current checklist. Since the set was produced in such a way that the final count should be divisible by 4/8/24, and factoring in the nine Venezuelan only subjects still lurking to presently land us at 33, it's clear more subjects are out there, and, as I suspect the divisor is likely to be 24, we could get all the way to 48 players.
Bob Allison
Ruben Amaro (Venezuelan only)
Luis Arroyo (Venezuelan only)
Orlando Cepeda (US subject but redrawn for Venezuala)
Bob Clemente (Venezuelan only)
Rocky Colavito
Don Drysdale
Nellie Fox
Tony Gonzales (Venezuelan only)
Dick Groat
Glen Hobbie
Harmon Killebrew
Juan Marichal (Venezuelan only)
Frank Lary
Vernon Law
Mickey Mantle
Ed Mathews
Stan Musial
Juan Pizzaro (Venezuelan only)
Vic Power (Venezuelan only)
Pedro Ramos (Venezuelan only)
Tony Taylor (Venezuelan only)
Zoilo Versalles (Venezuelan only) inferred from a sliver on a
miscut, not yet confirmed but it's somebody
Gene Woodling
Early Wynn
Here's the likely Venezuelan players not yet found:
Matty AlouLuis Aparicio (previously surmised as a possible subject)
Chico Fernandez
Felipe Alou
"Clio" (Elio) Chacon
Felix Mantilla
O. "Cepida"
Jose Pagan
Chico Cardenas
If we could confirm the US version print group includes all the non-exclusive players found so far in the Venezuelan set, it might help finding the resting point. In fact, the redrawn Cepeda could indicate he was not in the same print group as other known US subjects. Right now we know of eleven Venezuelan only subjects with another nine possible from the Guernsey's sheet. Four more gets us to 24.
The "US" subjects presently total fourteen, so another ten of those could be out there. If I'm correct in my guesstimating, of course.























